Tag Archives: Spain

A Week in Bristol – Part 2

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Now that my crowded week of 4 tastings is behind me, it’s time to reflect on the final 2 events that I couldn’t fit into my Blog last time.

The first continued with the theme of Spain and Portugal with the added interest that my client asked me to choose wines from the ‘Hidden Corners’ of these 2 fascinating countries.  In fact, for many UK wine drinkers, most of Portugal and much of Spain (except, perhaps, Rioja and Cava) are ‘hidden’, so I had plenty of scope to make my selections.

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An early favourite was the Casal de Ventozela Alvarinho from northern Portugal (£9.99 – all the wines for this tasting were from Majestic).  Alvarinho is the same grape as Spain’s Albariño and this delightful, fresh white showed lovely peach and citrus flavours and a long fragrant finish.

But, it was a pair of Spanish reds that attracted the most praise – both for their quality and for their amazing bargain prices.  Pizarras de Otero (£7.49) was intensely fruity with aromas and flavours of ripe strawberries, plums and blackberries.  Made with the Mencia grape variety, local to the Bierzo district in north-west Spain, this reminded one taster of a young Pinot Noir.

The striking label on Matsu’s ‘El Picaro’ (£8.99) from Toro in the west of Spain (left-hand bottle, above) lists the grape variety as ‘Tinta de Toro’, but this is simply a local name for Spain’s best red grape, Tempranillo.  Bigger and richer than the Bierzo and with a little smokey spice and chocolate added to the black fruits, this would have been far more expensive if it had come from one of the better-known Tempranillo areas.

The last tasting of the week was another of my Saturday classes at Bristol’s Stoke Lodge Adult Education Centre.  This time, my theme was ‘Anything but Chardonnay, Anything but Cabernet’.  Despite the title, we did taste 2 examples of each of these grapes to explore their diverse flavours.  But it was one of the Cabernet alternatives that was unanimously voted as best wine of the day. 

20181117_152855_resized (2)Ironically, in view of the focus of my week, it came from Spain: Baron de Ley Rioja Reserva 2014 (Waitrose, £9) was beautifully mellow and spicy from 20 months ageing in oak but still young enough to allow the soft red fruits to show through.  A real delight at a very reasonable price, and a deserved winner.

As for me, after my busy week, it’s time to relax with a nice glass of wine

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A Week in Bristol

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I’ve blogged before about how this is my busiest time of the year but 4 tastings in 1 week is exceptional, even for my November schedule.  Interestingly, 3 of the 4 events focussed on Spain or Portugal – 2 countries whose wines have improved so much over the past 20 years or so.

The week started with Ed Adams MW at the Bristol Tasting Circle.  Ed, along with his business partner, South African Bruce Jack, is a winemaker in north-east Spain and showed 2 of his own wines – an attractive creamy white and a rich, intense red, both sold under the La Bascula label.  Then, in conjunction with Great Western Wines of Bath, we also tasted a range of other wines, all from the Basque or Catalan regions of Spain that Ed knows so well. 

BTC Spain 2It was hard to pick just one favourite but, both my wife and I loved the crisp, grapefruit flavoured white Adur Txakolina from the Basque country (£17.95) while, among the reds, Franck Massard’s El Brindis from the Montsant region (£12.50) was great value even though to get the best from this deep, weighty Cariñena/Garnacha blend would require real patience – perhaps 3 or 4 years.

The following evening, the Bristol-Oporto Twinning Association invited Alan Wright from Clifton Cellars to run a tasting for us.  Alan doesn’t believe in ‘run of the mill’ wines but one of his well-chosen selections was unique, even by his standards.  Oporto 1Quinta do Romeu’s ‘Westerlies’ (£14.75) was specially made and bottled for a journey under sail from Portugal to Bristol by the century-old trading ketch, the Bessie-Ellen.  Sadly, the old ship had to stop at Fowey for repairs but her cargo continued by road for us to enjoy.  Made from one of Portugal’s lesser-known grape varieties, Sousão, this red showed lovely black fruits and although quite deeply flavoured, had an attractive lightness about it.  Oporto 2Despite the temptation of the glorious, sweet Adega de Palma Moscatel de Setubal (£12.50) and others that we tasted, this had to be the wine of the night, if only for the wonderful story it told.

That only takes me as far as Tuesday and my tasting count is already well into double figures for the week (spitting out, of course!).  Perhaps I’d better defer blogging about the week’s other 2 tastings, both of which I was hosting, until next time.

Beyond Rioja

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Think of Spain and the next word that comes to mind for a wine lover is probably Rioja.  And with good reason: some outstanding reds and many other very drinkable ones, whites in both traditional and modern styles and even the odd rosado (rosé).  But Spain is so much more than Rioja; it has the largest area of vineyard of any country in the world – yes, even more than France or Italy, even though they produce more wine – and almost everywhere you look, you can find interesting and different wines.

Basque whiteSometimes, you might not even realise that they’re Spanish at all.  Take Olatu’s Getariako Txakolina (Corks, £15.99) in its unusual blue, flute-shaped bottle; it’s from the Basque region of northern Spain but the only mention of its country of origin is in tiny print on the back label.  And to taste, too, it’s about as un-Spanish as it could be: to start, it’s only 11.5% alcohol – the result of the cool Atlantic winds and currents restricting the ripening of the local Hondarrabi Zuri grapes.  But, unlike many wines light in alcohol, this isn’t thin or sharp; you’ll find quite a bit of richness on the palate and attractive flavours of baked apples and spice.  There’s an apparent hint of sweetness in there, too, although the wine is actually bone dry, really refreshing and finishes quite long.

You might be tempted to think of it as an aperitif wine, as I did, but, in reality, the savoury flavours mean that it works much better with food, even with quite a robust dish like baked river trout on a bed of herbed toasted chickpeas.

Thinking of other Spanish whites – a white Rioja or Albariño from Galicia, perhaps, this couldn’t be more different; proof, if you still need some, that Spanish wines today are really worth looking out for and just so much more than Rioja.

Priorat Re-vitalised

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Most wine drinkers will be familiar with the name ‘Cava’ although, according to a recent survey, surprisingly few who bought it knew where it came from.  The correct answer is, of course, Catalonia, but this region in the north-east of Spain has far more than just the popular sparkling wine to offer.  I’m thinking, in particular, of the marvellous, intense red wines from the remote hills of Priorat. 

Vines were first planted there by Carthusian monks in 12th century and wine has been made there ever since.  But, by the 1980s, Priorat’s vineyards were regularly being abandoned and the area was in danger of disappearing from the wine map.  It was so steep and the stony land so difficult to work that most of the traditional farmers found winemaking there uneconomic and the younger generation were lured towards jobs in the larger towns or the tourist resorts along the coast. 

But a small group, led by Rene Barbier, were moving in the opposite direction.  They recognised the potential in the very old bush vines of Garnacha (Grenache) and Carinena (Carignan) and in the unusual llicorella soil, comprised of decomposed slate and quartz, which reflects the heat and aids the ripening of these late-maturing varieties.  Now, some 30 years later, the area has been re-vitalised and is producing some outstanding wines and, although the most prestigious ones sell for £200 or more, you can find some extremely attractive bottles for a lot less.

PrioratTake Arc de Pedra, available from Majestic, for example (£12.99).  At first sip, you find lovely sweet red fruits but, as it develops in the glass, it reveals raisins, prunes and subtle hints of vanilla and toasted almonds.  As you might expect, this is a big wine (14%) but it is well balanced.  The 2016 vintage that we opened was still showing quite prominent tannins, and although it went well enough with the strong flavours of a venison steak, in truth I probably opened it a couple of years too soon.  But, whether you drink it now or keep it, it would certainly benefit from decanting a couple of hours in advance, a comment that would apply equally to most of the deep, brooding reds from this – happily – rediscovered area.

Cup and Rings

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Cup and Rings AlbarinoIt wasn’t just the label that made me buy this wine, although I was so intrigued by both its design and the name – The Cup & Rings (available from Majestic, £9.99) – that I had to pick it up.  I suppose that counts as a victory for the marketing team!  But, when I looked more closely, I realised this was a wine I should try. 

The label showed it was made from one of Spain’s best native grape varieties for white wines, Albariño, grown in the ideal cool climate of Galicia in the far north-western region of the country.  Then there were the words ‘Sobre lias’; this is a winemaking technique that involves leaving the wine on the dead yeast cells (the ‘lees’ in English, ‘lias’ in Spanish) for a period of time after the fermentation has finished.  The aim of this is to add a certain depth of flavour to the wine and often to create an attractive savoury character.  In this case, the period of ageing on the lees was 2 full years – longer than I’d normally expect, but clearly promising a wine with some complexity.

The winemaker was obviously pleased with his creation as there was his signature on the label: Norrel Robertson is a Master of Wine who has been making wine in Spain since 2003, although he is a Scot by birth, hence his local nickname which translates as the ‘Flying Scotsman’.

On opening the bottle, the wine was as good as I’d hoped for: delightfully refreshing, rich and complex with a lovely floral character and ripe pear flavours – rather than the stone fruits I often associate with Albariño.  But there was also an almost salty tang about it – not surprising, I suppose, given how close to the sea many of the vineyards are in this part of the world.

And the name ‘Cup and Rings’?  It is, apparently, an ancient Celtic symbol found in prehistoric rock carvings across Europe, especially in both Galicia and Scotland.  So, very appropriate for a Scot working in Galicia but also a great way to encourage curious customers like me to buy!

 

‘Use By’ Dates for Wine?

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There’s been lots of talk in the press here recently about the use of ‘Best Before’ or ‘Use by’ dates on food packaging and whether products are safe to eat after the date shown.  But how about wine?  Does it have a shelf life and, if it does, should it, too, have a recommended date on it?

I certainly don’t recall ever seeing such a date on a wine bottle but I generally advise that most white wines bought in supermarkets and cheaper bottles (say under £10) bought elsewhere are normally best within about a year of purchase; for red wines, you can probably extend this to two years.  The wine should still be perfectly safe even after this time, but wine matures and changes when it is in the bottle and so it may be past its best if left too long.

On the other hand, many (usually more expensive) wines take much longer than this to reach their peak and it would be a shame to open them too early.  Often, good wine merchants and websites will quote ‘drinking windows’ – the period during which they suggest a wine is likely to be at its best.  But these are only a guide; everyone’s taste is different and, unless you know the wine, deciding when you should open any particular bottle is, unfortunately, a bit of trial and error.

A wine I think is drinking perfectly now is Faustino 1 Rioja Gran Reserva 2004 (Sainsbury’s, £15). 

Faustino 1It is already 13 years old and has spent more than 2 years in oak barrels and a further 3 years at the winery (as required by the ‘Gran Reserva’ designation).  Yet, when I took it along to a tasting recently, a couple of my colleagues suggested that it needed still more time or, at least, should have been opened earlier in the evening to further soften the tannins.

I’m not convinced but, as I said before, everyone’s taste is different.  However, this is certainly a wine made to be drunk with food and its mellow, harmonious flavours would work well with so many of the rich dishes that are likely to be on the table over the festive season.

What’s in a Name?

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Flower and BeeThere are many good reasons for choosing a bottle of wine: something you’ve enjoyed before, a recommendation, a wine on special offer.  And then there are the impulse buys; I’m sure most of us have made those on occasions.  “I wonder what that wine’s like?” as we pick up a bottle that our eye is drawn to.  And the wine pictured above must be a prime candidate for that sort of purchase: unusually named ‘The Flower and the Bee’ and, with a label reflecting the name and even the foil over the cork in yellow and black ‘bee’ colours, the entire packaging of this wine says ‘look at me’.  And ‘buy me’, of course.

But the design is not the only reason for giving this wine a try: it’s on the Association of Wine Educators list of the top 100 wines under £25 and, having tasted it (bought from Grape and Grind in Bristol, £13.99), I can confirm that it fully deserves its place.

It’s a delicious unoaked dry white from the Ribeiro region in the north-west of Spain, made from the local Treixadura grape.  Quite peachy and fresh on the nose leading to a rich, full flavoured mouthful with lovely peach and ripe pear flavours and a good, long finish.  Although I’d be happy to drink it on its own, it’s also a great food wine: ideal for some white fish in a creamy sauce.

So, why ‘The Flower and the Bee’?  The wine comes from the Coto de Gomariz estate which is run organically (although not certified as such) and is moving towards biodynamic methods which involve nurturing the entire eco-system of the estate; the flowers and the bees are as important as the grapes to the producers and the naming and the label reflect that.

It’s a neat idea and certainly good marketing.  But, try the wine and I’m sure you’ll buy it again – regardless of the eye-catching packaging.