(picture thanks to NCG and wine-searcher)
For anyone who loves wine or is involved in the industry, watching the news over the last couple of weeks has been really distressing. I refer, of course, to the terrible wildfires that are, yet again this year, devasting parts of California. Thankfully, at the time of writing, it seems that no-one has died but the loss of vineyards and at least one major winery means that the local industry, especially in the famous Sonoma Valley, will take some time to fully recover. It’s not clear yet how much damage has been done and, of course, it’s too soon to say when any replanting can take place. But new vines don’t produce a crop instantly; it will be at least 3 years before they bear any usable grapes and possibly another decade before they start having fruit of good enough quality to yield the top quality wines we expect from this prestigious area.
And what of this year’s crop? Here, the news is mixed. Many of the estates had already harvested so the grapes for the 2019 vintage should be fermenting by now. However, ferments need to be monitored and often cooled, so any interruption in power supply or in workers being able to access the winery could be a problem. And, in those sites where picking hadn’t started or was still underway, even where the vineyards are not affected by the flames, it’s likely that any grapes remaining on the vines will be useless due to smoke taint.
So, all in all, a pretty depressing picture and one that, I’m afraid, with global warming, is likely to become more, rather than less common. Meanwhile, we can only offer our sympathy to those affected and raise a glass in support of their efforts to recover.
I’m pleased to say that, over the past year, Bristol Wine Blog has attracted a whole host of new readers; in fact numbers have more than doubled compared to earlier times. Welcome to all of you! Interestingly, most of the newcomers are from the United States and so, as we’re closing in on the 4th of July, I thought I’d give you one Brit’s take on the wines you send over to us, starting with a delicious bottle we opened last night:
Clos du Bois Pinot Noir (Majestic, £14.99) had all the lovely silky smoothness I expect from this quality grape along with plenty of red cherry fruit and an attractive smokiness. And, with only 13.5% alcohol, it wasn’t too heavy and proved really food-friendly with pan fried duck breast strips with a tomato and mushroom sauce. It also brought back happy memories – it was a wine we used to sell at Harveys when I worked there way back before they closed their Bristol base.
But, sadly, it’s not often I can find such a gem; although we import more wine from the USA than from any other country except Australia, the vast majority is simple stuff from the major mass-market brands (Barefoot, Echo Falls and the like) at pretty much bargain basement prices. Now, clearly those please a lot of people and sell very well so I’m not knocking them, but, let’s be honest, when it comes to true wine lovers, there really isn’t much in these bottles to get excited about – or to blog about.
Yet, I know the US produces some wonderful wines. The problem is that the choice of good ones here is quite limited and the prices sky high: typically £25 to £60 – way above what most UK customers are prepared to pay. I’d just love to find something attractive at a more affordable ticket, but I struggle.
So, please, dear American readers (and others!): think about the wines you enjoy in your own home or in your favourite local restaurant. Are any of these from US producers who would like to sell something interesting and appealing in the UK and can get it on the shelves here around £15 to £20? If so, then do urge them to take the plunge. There are a lot of UK wine lovers who would happily pay that sort of money and so celebrate the 4th of July with an appropriate bottle!
“Drink with lobster risotto or rare prime rib”. Winemakers often put advice on their labels concerning possible food matches but, I must say, this one really surprised me. Why? Because, in my mind, I can’t imagine a single wine that might pair successfully with these 2 dishes; indeed, in many ways, I’d be looking at almost diametrically opposite wines.
The richness of the lobster and the creaminess of a good risotto would point me towards a big rich white – something from Burgundy or the Rhône, perhaps, or a full-bodied Californian or Australian Chardonnay. And, although I’m not someone who subscribes blindly to the ‘white with fish, red with meat’ theory, for me, a rare prime rib is definitely red wine territory with a wide range to choose from.
So, what was this miracle wine that the winemaker thought might pair with either dish?
Cline Cool Climate Syrah from California’s Sonoma Coast region (Majestic, £13). Delightfully full and rich with intense red fruit flavours and just a hint of the kind of spicy, peppery flavours that many good Rhône Syrahs display, this is undoubtedly a big wine (14% alcohol), yet everything is so beautifully in balance that you’d never feel overwhelmed – or think that you’d have to stop after a single glass.
We drank it with some orange and molasses sugar marinated venison steaks and it went really well – the fruitiness in the wine matching the sweetness in the marinade and the pepperiness going with the gamey flavours of the meat.
But, personally, I still can’t see the wine going with either lobster or risotto. But that is the wonder of food and wine pairing – everyone’s sense of taste is unique to them and different from everyone else. And so it should be; without that, we’d lose the very diversity of food and wines that make this such a fascinating subject.