Category Archives: Portugal

A Week in Bristol

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I’ve blogged before about how this is my busiest time of the year but 4 tastings in 1 week is exceptional, even for my November schedule.  Interestingly, 3 of the 4 events focussed on Spain or Portugal – 2 countries whose wines have improved so much over the past 20 years or so.

The week started with Ed Adams MW at the Bristol Tasting Circle.  Ed, along with his business partner, South African Bruce Jack, is a winemaker in north-east Spain and showed 2 of his own wines – an attractive creamy white and a rich, intense red, both sold under the La Bascula label.  Then, in conjunction with Great Western Wines of Bath, we also tasted a range of other wines, all from the Basque or Catalan regions of Spain that Ed knows so well. 

BTC Spain 2It was hard to pick just one favourite but, both my wife and I loved the crisp, grapefruit flavoured white Adur Txakolina from the Basque country (£17.95) while, among the reds, Franck Massard’s El Brindis from the Montsant region (£12.50) was great value even though to get the best from this deep, weighty Cariñena/Garnacha blend would require real patience – perhaps 3 or 4 years.

The following evening, the Bristol-Oporto Twinning Association invited Alan Wright from Clifton Cellars to run a tasting for us.  Alan doesn’t believe in ‘run of the mill’ wines but one of his well-chosen selections was unique, even by his standards.  Oporto 1Quinta do Romeu’s ‘Westerlies’ (£14.75) was specially made and bottled for a journey under sail from Portugal to Bristol by the century-old trading ketch, the Bessie-Ellen.  Sadly, the old ship had to stop at Fowey for repairs but her cargo continued by road for us to enjoy.  Made from one of Portugal’s lesser-known grape varieties, Sousão, this red showed lovely black fruits and although quite deeply flavoured, had an attractive lightness about it.  Oporto 2Despite the temptation of the glorious, sweet Adega de Palma Moscatel de Setubal (£12.50) and others that we tasted, this had to be the wine of the night, if only for the wonderful story it told.

That only takes me as far as Tuesday and my tasting count is already well into double figures for the week (spitting out, of course!).  Perhaps I’d better defer blogging about the week’s other 2 tastings, both of which I was hosting, until next time.

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A Little Bit of Magic

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Conde Vimioso 1When I first saw the name on the bottle, Conde Vimioso, I thought it sounded like a magic spell that might be invoked in one of J.K.Rowling’s famous Harry Potter books.  But, no!  It’s a delightful, really juicy, everyday quaffing Portuguese red, full of flavours of sweet ripe blackberries, with some soft tannins and a longer finish than you could possibly expect from a £7.25 wine (available from The Wine Society).   

So, how can the producers make a wine of this quality at the price?  Perhaps part of the answer is that it’s only a Vinho Regional – the same level as Vin de Pays in France – and, as such, would be considered less prestigious than DOC, the local equivalent of Appellation Contrôlée. 

It comes from the Tejo region, which stretches inland from the capital, Lisbon, along the River Tagus (Tejo in Portuguese) and is an unusual blend of 4 varieties – 2 local: Touriga Nacional and Aragonez (also found in Spain as Tempranillo) – plus some Cabernet Sauvignon and Syrah.  The wine even gets 6 months barrel ageing and here, in an important area for oak trees, it really does mean ageing in barrels, not oak flavouring using oak chips as more commonly found in wines at this price.

So, regardless of the Harry Potter-like name, this wine’s unfashionable origin means that we can taste a delicious wine for a barely believable price.  Now, that really is a little bit of magic.

Bristol’s Own Wine

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Port O BristolBristol now has its very own wine, but don’t worry if you’ve never seen it on the shelves.  At present, there’s just one small problem: the label is missing some key information, so it isn’t legal to sell it in the UK yet.  But I have tasted it! 

That was at a wine tasting evening arranged by the Bristol-Porto Twinning Association – a group that fosters links and arranges exchange visits between Bristol and friends in the Portuguese city with whom we have had trading links for many centuries. 

The event was hosted by Alan, the owner of Clifton Cellars, one of Bristol’s best independent wine merchants.  He brought along a selection of wines which truly showed how far Portugal has advanced since the days when it was only known for Mateus Rosé.

The tasting included 2 very different whites: Quinta de Gomariz’s vibrant, citrussy Alvarinho (aka Alboriño) from the Vinho Verde region (£13.99) and Lagar de Darei, a richer and subtly oaked bottle from the Daô made from the local Encruzado variety (£11.98)

Of the reds, Patraô Diogo’s Aragonez- (Tempranillo) based red (£12.85) is a fascinating and rare representative of the tiny Colares region on the coast west of Lisbon.  Its sandy soils have resisted the phylloxera bug and so vines there can be planted on their own rootstocks.  The Vinha da Mouro (£13.50) from the Alentejo showed a lovely southern warmth and richness and brought the evening to a happy close.

But, what about the bottle pictured above?  The ‘Port O’Bristol’ is from a traditionally planted vineyard at the far eastern end of the Douro Valley.  Produced by Ramos Pinto’s winemaker, this was brought over in barrel from Portugal in a sailing boat and bottled in Bristol.  There’s a tiny production and this is the first vintage of a wine that is certainly a ‘work in progress’ at present but one that is worth keeping a close eye on.

If you are interested in joining the Bristol-Porto Twinning Association, please leave me your details below and I will happily pass them on to the Membership Secretary.

Look for the Duck!

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Pato whiteIt wasn’t the striking stylised cut out of a duck in flight on the label that first attracted me to Luis Pato’s ‘Vinhas Velhas’ (old vines) dry white (Wines at West End, £14); I’ve been a fan of this top class Portuguese producer for many years.  And, in case you’re wondering why there’s a duck on the label –  ‘pato’ means ‘duck’ in Portuguese and all of Luis’ labels feature one; a nice marketing touch or a bit corny, depending on your view.

Portuguese wines have improved vastly, both in quality and in the choice available, in recent years.  No longer are they defined by a certain rosé in a funny shaped bottle but by some excellent, intense reds and food-friendly whites.

The country always had the potential for making high quality wines, especially reds – the grapes used for port (particularly Touriga Nacional and Tinta Roriz aka Spain’s Tempranillo) are equally suited to being turned into unfortified wines.  But, when British merchants visited there and started searching for some interesting wines in the 17th century, they preferred the strength and sweetness of port.   Table wines continued to be made for the locals, but, for the export market, it was virtually all port.

And so it remained until late last century when some of their reds started to appear in the UK – although many of the early arrivals needed long keeping to tame their furious tannins.   Gradually, though, the style softened and the wines became much more approachable; one of the pioneers of the change was Luis Pato in Bairrada and I’d strongly recommend any of his reds.  But he, and now his daughter Filipa on a separate estate, also produce some delicious whites, mainly from the native Bical variety.

The Vinhas Velhas is beautifully floral on the nose and quite aromatic and fresh in the mouth.  There’s a nice richness there, too, which makes it really food-friendly – try it with some fish in a tomato sauce.  But not with duck – that wouldn’t do at all!

A Portuguese Rosé

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Congratulations if you looked at the title and still decided to read the blog!  Particularly if, like me, you were old enough to drink wine in the 1970s.  Because, in those far off days, the words ‘Portuguese’ and ‘Rosé’ meant just one thing: the most popular wine of the era, Mateus Rosé, sold in that familiar, dumpy shaped bottle that, when empty, made a perfect base for a table lamp.  At its peak, in 1978, it accounted for over 40% of Portugal’s wine exports and sold a cool 42 million bottles in just one year.  That’s a lot of table lamps!

Mateus Rosé is still around (and this year celebrates 75 years since it was first produced) but, as readers of this blog will, no doubt, know, it isn’t the only Portuguese rosé on the market.

With summer in mind, I picked up a bottle of Ciconia Rosé from Corks of Cotham recently (£8.99). 

Portuguese roseA blend of 3 grape varieties: touriga nacional, one of the main components in port and many high quality Portuguese reds, syrah (shiraz) and aragonez, one of the Portuguese names for Spain’s best red grape, Tempranillo.  These three together made a wine about as different from my memories of Mateus as it is possible to be: slightly off-dry and really refreshing with attractive strawberry fruit and a clean juicy finish.  Great for drinking on its own or, perhaps, even better, with fish in a tomato based sauce (Cod Portuguaise) or a bouillabaisse.

I’m happy to drink rosé at any time of year, although I think it works best with lighter, summery foods.  But the wine must be dry – or off-dry at most; for me, the sweeter rosés such as Mateus and some of the commercial White Zinfandels that are widely available are just too sweet for a main course yet not sweet enough for a pudding. 

But they sell, so someone loves them – just leave me with the Ciconia, the other Portuguese rosé.