Category Archives: German wine

Plain and Simple

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I think it was the former US President Bill Clinton who used the phrase ‘Keep it simple, stupid’.  Those who design most traditional German wine labels should take note!  Take the example below:

German Label

It has the producer’s name, the vintage, the grape variety, the region, village and vineyard in which the grapes were grown and even an indication of how ripe the grapes were at harvest.  This is typical of German wine labels and makes them among the most informative in the world.  But that – and the common use of the difficult-to-read antique font – also puts off many wine lovers who don’t want – or understand – all the detail.  “Just give me a clear idea what the wine is going to taste like”!

So, I was pleasantly surprised recently to find a German wine with one of the barest labels I’ve seen:

Grauburgunder

Just the producer’s name, the grape variety (Grauburgunder is the German name for Pinot Grigio/Pinot Gris) and the vintage.  Anyone interested in the region (Rheinhessen) or village (Nierstein) could check the back label where you also find, far more importantly, that the wine is dry (trocken) and has, unusually for a German white, 14% alcohol. In some wines, this level of alcohol can taste ‘hot’ or dominate the flavour but not here; it brings a lovely richness in the mouth – closer in style to a good Alsace Pinot Gris rather than a light and quaffable Pinot Grigio.  The wine is quite savoury with a delightful saline character that makes it really food-friendly – a noble fish in a creamy sauce comes to mind. 

From the label to the taste and style, this is about as far away from normal expectations of a German wine as it could be, but it’s really delicious.  And a bargain, too: Louis Guntrum’s Grauburgunder is just £11.50 from the Wine Society.

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Reaching out across the World

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As a major trading port, Bristol has been reaching out across the world for centuries – and a wine tasting I went to this week really brought that home to me.

It was organised by the Bristol-Hannover and Bristol-Bordeaux Twinning Associations who are celebrating their 70th anniversaries this year, having started just after the 2nd World War in an effort to reach out and support other devastated European cities.

The tasting itself was on board a replica of John Cabot’s ship, The Matthew, that, in 1497, sailed from Bristol and across the Atlantic to become the first Europeans known to have landed on the North American mainland (although Norse sagas suggest that their sailors may have done so several centuries earlier).  The original ship was lost but the replica was built here in the city in the 1990s and repeated the original voyage to commemorate the 500th anniversary.  These days, the ‘new’ Matthew is used for educational purposes, appears in films and television programmes and is a major tourist attraction in Bristol Docks.  And, of course, it can be hired for events – including the wine tasting I mentioned earlier.

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And the fact that the tasting was hosted by Mimi Avery, on behalf of the historic Bristol company that bears her name (it was founded in 1793), also fitted the ‘reaching out’ theme.  Mimi’s grandfather, Ronald, was one of very few British wine merchants to actually visit foreign vineyards and meet the growers while her father, John, travelled widely and introduced many New World wines into the UK that have subsequently become iconic.

But, let’s not forget the wines: 

DSCN1503of course Mimi found some interesting bottles from Bordeaux to show us.  And, although Hannover is not a wine producing area of Germany, we tasted some attractive examples from elsewhere in that country.   But, perhaps Mimi’s most innovative thinking went into our aperitif: a Prosecco which reflected John Cabot’s Italian heritage (he was previously known as Zuan Chabboto, although his name has long been anglicized).

So, all in all, a fascinating and most enjoyable evening and a perfect example of how generations of Bristolians (and adopted citizens, such as Cabot) have reached out across the world.

The Steepest Vineyards

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DSCN1357We’ve just returned from a few days in Germany visiting the famous wine regions of the Rheingau and the Mosel. Of course, I’d seen lots of pictures of the area and read plenty about it, but this was my first visit and I was truly amazed by what I saw. Wherever I looked, there were vines clinging to impossibly steep hillsides – some up to 65% elevation. How can people possibly work those sites? And why do they choose to plant there?

The answer to the first of those questions may be obvious: with great difficulty! There are posts at the top of some of the vineyards that workers can tie ropes onto and let themselves down to prune the vines or harvest and, in some of the more high-tech places, you find miniature monorail systems that run up and down the slopes to carry the grapes to somewhere slightly more accessible.

But why plant on these slopes? The area is at the northern-most boundary of where wine grapes will ripen properly so growers have to take every opportunity to help the vines. Using south-facing slopes gives better exposure to the sun and protection from cold north winds. The slopes mean that rain drains quickly so that the vines’ roots are in warmer, dry earth and frosts roll away down the hillside; also much of the ground itself is comprised of decomposed slate which acts like a storage heater and holds the heat.

Even with all these advantages, growers still need to choose a variety that will survive the bitterly cold winters. And, for most, the one that works best is Riesling. It’s a grape that many in the UK avoid but, for me, apart from the very cheapest examples, it’s a variety that can produce some remarkable wines. I’ll tell you more about them in my next blog.

We travelled with Railtrail Tours Ltd. For more information about this and other tours they run, go to http://www.railtrail.co.uk.