I’ve blogged before about how this is my busiest time of the year but 4 tastings in 1 week is exceptional, even for my November schedule. Interestingly, 3 of the 4 events focussed on Spain or Portugal – 2 countries whose wines have improved so much over the past 20 years or so.
The week started with Ed Adams MW at the Bristol Tasting Circle. Ed, along with his business partner, South African Bruce Jack, is a winemaker in north-east Spain and showed 2 of his own wines – an attractive creamy white and a rich, intense red, both sold under the La Bascula label. Then, in conjunction with Great Western Wines of Bath, we also tasted a range of other wines, all from the Basque or Catalan regions of Spain that Ed knows so well.
It was hard to pick just one favourite but, both my wife and I loved the crisp, grapefruit flavoured white Adur Txakolina from the Basque country (£17.95) while, among the reds, Franck Massard’s El Brindis from the Montsant region (£12.50) was great value even though to get the best from this deep, weighty Cariñena/Garnacha blend would require real patience – perhaps 3 or 4 years.
The following evening, the Bristol-Oporto Twinning Association invited Alan Wright from Clifton Cellars to run a tasting for us. Alan doesn’t believe in ‘run of the mill’ wines but one of his well-chosen selections was unique, even by his standards. Quinta do Romeu’s ‘Westerlies’ (£14.75) was specially made and bottled for a journey under sail from Portugal to Bristol by the century-old trading ketch, the Bessie-Ellen. Sadly, the old ship had to stop at Fowey for repairs but her cargo continued by road for us to enjoy. Made from one of Portugal’s lesser-known grape varieties, Sousão, this red showed lovely black fruits and although quite deeply flavoured, had an attractive lightness about it. Despite the temptation of the glorious, sweet Adega de Palma Moscatel de Setubal (£12.50) and others that we tasted, this had to be the wine of the night, if only for the wonderful story it told.
That only takes me as far as Tuesday and my tasting count is already well into double figures for the week (spitting out, of course!). Perhaps I’d better defer blogging about the week’s other 2 tastings, both of which I was hosting, until next time.
If history had turned out differently, Turkey might, by now, have been one of the great wine producing countries of the world. Some of the oldest known relics of winemaking have been found near its border – in Georgia and Armenia – and, with the moderating influence of both the Mediterranean and Black Seas, a number of areas of the country have an ideal climate for grape growing. Indeed, Turkey has the 5th largest vineyard area of any country in the world. Unfortunately for wine lovers, its cultural and religious heritage means that most of its grapes are harvested to sell for eating or as raisins or sultanas; only 3% of the crop is made into wine – and barely 1 bottle in 10 of that is exported – a shame as many critics have noted that Turkey has some really interesting native grape varieties.
I was able to find out for myself recently as the Bristol Tasting Circle organised an evening dedicated to Turkish wines. And, sure enough, alongside the familiar names – Cabernet, Syrah and Sauvignon – were wines made from Emir, Narince, Kalecik Karasi, Çalkarasi and Ökügözü.
The first 2 named, both local white varieties, were blended to produce one of my favourite wines of the night: Cankaya, an attractive, soft, peachy white made by one of Turkey’s largest producers, Kavaklidere (£8.99, available, as are the other wines mentioned in this blog, from www.tasteturkey.com).
Of the reds, Kayra Alpagut’s Ökügözü (£19.99) had the sort of tangy, herby flavours that reminded some at the table of a nice Loire Cabernet Franc but I preferred the mellowness of Vinkara’s subtle, red-fruit flavoured Kalecik Karasi Reserve (£18.45, although the Wine Society have the same producer’s non Reserve bottling of the same grape at £9.95. Is the Reserve worth nearly twice the price? I tried the other some time ago and, for me, the cheaper wine is the better buy).
Turkey is clearly producing some interesting, attractive wines but, because amounts exported are small, they will never be cheap and may be hard to find. But, if you’re looking for something a little different, why not try a bottle – it may prove to be a Turkish Delight!
“How many wines do you drink in a year?” a friend asked me recently. I had to confess that I had no idea. But, thinking about wines that I taste – at events or courses I run or at tastings organised by others – as well as those we drink at home or when we go out to friends or restaurants, I’m sure the number runs into hundreds. But that’s still only a guess. So, I’ve decided to try and count them this year! Watch this space!
The figure is starting to tick up rapidly. With just 8 days of the year behind us, my wine count already stood at 16, although half of that number was due to a fascinating tasting of ports and Madeiras organised by the Bristol Tasting Circle last week.
The ports were lovely, particularly a 20 year old Fonseca Tawny, but it was the rare chance to taste high quality examples of Madeira’s 4 noble grape varieties together that was the highlight of the evening.
First was the Sercial, the driest style. Henriques and Henriques 15 year old, with its attractive almond aromas and tangy, clean palate, would make a perfect aperitif as, indeed, would the next wine tasted, the Verdelho. More medium dry than dry and a little richer than the Sercial, this still has Madeira’s characteristic acidity but with an attractive smoky edge.
Richer still and decidedly sweet was the Boal (sometimes spelt ‘Bual’) – flavours of raisins, nuts and caramel dominated and a finish that could be measured in minutes rather than seconds – perhaps my own personal favourite. And then finally there was the wonderfully rich and luscious Malvasia (sometimes labelled ‘Malmsey’) with its palate of figs, prunes, walnuts and caramel; a dessert wine capable of matching the most intense of puddings – or why not just drink it on its own instead?
A word of caution: you’ll sometimes see bottles of Madeira labelled simply with generic terms such as ‘dry’, ‘medium sweet’ or ‘full rich’. While these are often very drinkable and certainly very reasonably priced, to share the real treat I experienced, you need to look for the grape names I’ve mentioned on the label.
If all the wines in my count are as good as these, it will, indeed, be a very Happy New Year!
In the minds of many who enjoy a glass of wine, Chile is the place to look for something fresh, fruity, easy-drinking and not too expensive – the sort of wines the Australians used to call ‘sunshine in a glass’. But that’s only part of the story: Chile is full of ambitious young winemakers eager to break away from the ‘cheap and cheerful’ tag and experiment with something more interesting that will appeal to those prepared to pay a little more.
Typical of this trend is the Errazuriz Max Reserva Cabernet Sauvignon I blogged about earlier this year but, for a much wider selection, I joined a tasting organised by the Bristol Tasting Circle recently and supported by ‘Wines of Chile’. Committee member and wine educator, Tim Johnson’s choice included wines from all the main international grape varieties: Chardonnay, Sauvignon Blanc, Syrah and Pinot Noir. A particularly nice example of the latter (Falernia’s Reserva from the Elqui Valley, £14.95 from Great Western Wine) got my top mark of the evening.
Among the less well-known was Huaso de Sauzal’s País (also Great Western Wine, £22.95). País was brought to South America by the Spanish in the 16th century and, after decades, even centuries, of neglect, has recently attracted the attention of a number of winemakers who are coaxing lovely red and black fruit flavours out of this formerly unloved variety.
These days, no tasting of Chilean wines could be complete with examples of Chile’s ‘own’ grape, Carmenère. Once thought to be Merlot, it has been embraced enthusiastically since the error was discovered in the closing years of last century and, appropriately, provided the overall joint winners of the evening from Santa Ema (Tanners, £12.80) and Los Vascos’ Grande Reserve (Slurp, £13.95).
So, sunshine in a glass? Yes! But a whole lot more, too!
If you would like to join the Bristol Tasting Circle and enjoy tastings like this, please leave your details in the comment box below and I will pass them onto the membership secretary.
Lebanon isn’t one of the world’s largest wine producing countries nor, for many consumers, one of the best-known, but it’s certainly one of the oldest with a history going back to ancient times. During the Middle Ages, Lebanese wines were highly regarded and widely traded but, once the region was absorbed into the Ottoman Empire, winemaking was restricted to that needed for religious purposes only.
Thanks to the Jesuits, things improved during the latter half of the 19th century and wine was again exported. But it wasn’t until an event in Bristol – yes! Bristol – that Lebanese wine really hit the headlines internationally.
The date was 1979 and, at Bristol’s Wine Fair that year, Serge Hochar took a stand to promote his wine, Chateau Musar. At the time, no-one in England had heard of Musar, but influential writer Michael Broadbent tasted it and declared it the ‘discovery of the Fair’. That opened the gates for Lebanese wine and they have been open ever since.
So, when the Bristol Tasting Circle announced that writer Michael Karam, surely one of Lebanon’s best wine ambassadors, was to host a tasting, I knew it was not to be missed. And, just to prove that Lebanon is so much more than just Musar, he brought along wines from 6 other estates.
The whites were more aromatic than might be expected from the warm latitude in which they are grown but the Bekaa Valley stands at an altitude of over 1000m (3000ft) which clearly has a cooling effect. Blends mainly involved well-known grape varieties such as Chardonnay, Viognier and Muscat, although local speciality Obeideh added spice and a certain exotic character where it was used.
The reds were generally based around southern French varieties – Syrah, Cinsault and Grenache – plus Cabernet Sauvignon and, while mainly quite chewy and robust in style, all showed good depth of fruit and an attractive lightness of touch.
It was difficult to pick a favourite from so many delicious wines but, perhaps Ksara’s Reserve du Couvent Red just edged it for me. But, in truth, the real winner on the night was Michael Karam, himself, whose justifiable passion for his country and its wines shone through for all to see.
I guess that many Bristol Wine Blog readers have lists of ‘dream’ wines – bottles that they’d love to taste at least once in their lives. Sadly, by their very nature, ‘dream’ bottles are often either fantastically expensive or incredibly rare – frequently both. So dreams remain dreams.
But, just once in a while, an opportunity comes along and a dream becomes reality. And that’s what happened for me recently thanks to a tasting organised jointly by the Bristol Tasting Circle and the West of England Wine and Spirit Association. Our speaker was Christian Seely, Managing Director of AXA Millésimes, who brought along a selection of wines and ports from their multiple award-winning estate, Quinta do Noval, including one of my dream wines, Nacional Vintage Port.
What’s so special about Nacional? It’s produced from a single, wonderfully sited vineyard of just 2 hectares (4½ acres) where all the vines still remain on their own rootstocks (so, not grafted onto American rootstocks, as most vines are, to guard against the deadly phylloxera bug). Output of Nacional Port is tiny – just 3100 bottles of the 2003 vintage – the one we tasted – were produced and demand always exceeds supply many times over.
Did it live up to my dreams? You bet it did! Although still young (good ports can easily last 50 years), it showed marvellous concentration of fruit – damsons, plums, cloves and just so much more. Truly, a once in a lifetime treat!
And though my attention was, understandably, on the Nacional, it wasn’t the only superb bottle on show: we also tasted the regular 2003 Vintage Port (from other Noval vineyards) and a tawny from the same year; either would have been the star of most tastings, as would Noval’s Douro red wine: unfortified and made from the same grape varieties as the ports, this would be a perfect match with robust food. But the Nacional was just in a different league.
And just a mention for Bristol readers: the Douro will be one of the subjects of ‘Wine Rivers of Europe’, a 5 week course (Wednesday evenings) at Stoke Lodge starting in November during which we will be talking about (and tasting, of course) a selection of wines reflecting the title. For more details: http://www.bristolcourses.com